Cultural center · Chéticamp, Nova Scotia
Les Trois Pignons
Acadian cultural center of Chéticamp, with a hooked-rug museum, the Elizabeth LeFort collection and exhibits on the community’s history.
Illustrative images. The pictures in this guide are illustrations based on the real place, not photographs, and may differ from it.
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About Les Trois Pignons
Les Trois Pignons is the cultural and heritage center of the Acadian community of Chéticamp. The name, “the three gables,” comes from the building’s facade at the village entrance.
The museum shows the tradition of hooked rugs, made by pulling wool strands through a backing with a small hook. The centerpiece is the Elizabeth LeFort collection; LeFort was a Chéticamp artist who created rugs with portraits and historical scenes, some presented to heads of state. There are also objects from Acadian daily life, fishing and household tools, and information on the history and genealogy of local families.
The center serves as an information point for visitors arriving in the village. It is open during the summer and fall season; check dates and fees before you go.
Before you go
Practical information
Cidade Turismo reviews its information regularly, but something may have changed. Check with the place before planning your trip.
How much time to set aside
One hour.
Best time
From May to October, when it is usually open. On a rainy day it is a good alternative to the trails.
How to get there
On the Cabot Trail, in central Chéticamp, with parking.
Tip
Ask about hooked-rug demonstrations, which show the technique live.
Official website
Get your questions answered
Frequently asked questions about Les Trois Pignons
What can you see at Les Trois Pignons?
Hooked rugs, the collection by artist Elizabeth LeFort and objects from Chéticamp’s Acadian life.
Who was Elizabeth LeFort?
An artist from Chéticamp who made hooked rugs featuring portraits and historical scenes.
Is Les Trois Pignons open year-round?
It’s usually open during the summer and fall seasons. Check the dates before you go.

