Myra Örenyeri

Archaeological site · Demre, Antália

Myra Örenyeri

Rock-cut tombs and the theatre of ancient Mira, close to the Demre center.

Illustrative images. The pictures in this guide are illustrations based on the real place, not photographs, and may differ from it.

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About Myra Örenyeri

Mira lies next to Demre and brings together two easily recognizable landmarks: the funerary façades carved into the rock and the ancient theatre. They show different functions of the Lycian city and its later transformations. The archaeological walk is distinct from the visit to the St. Nicholas church in town.

The tombs should be viewed from the circulation areas, not treated as free access points into the cliff openings. In the theatre, the scale of the seating and the surviving elements help convey the performance building. Both sectors require attention to paving and level changes.

Prefer a visit in a less hot period and allow time to read the ensemble before moving to another place. From Demre, the route can be organized by local transport or taxi. If coming from Kaş or Kalkan, include the coastal road in the total time, as well as the walk within the site.

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Before you go

Practical information

Cidade Turismo reviews its information regularly, but something may have changed. Check with the place before planning your trip.

How much time to set aside

From one hour to one and a half hours.

Best time

Morning, especially in hotter months.

How to get there

Local transport, taxi or car from Demre center to the Mira access.

Tip

View the tombs from the path and separate time at the site from the St. Nicholas program.

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Get your questions answered

Frequently asked questions about Myra Örenyeri

Are Myra and the Church of São Nicolau the same entrance?

They are distinct sites in the Demre region, each with its own access.

Can the tombs be walked through freely from the inside?

Observation must follow the authorized route, without entering openings on your own.

Is the theatre part of Myra's interest?

Yes. It allows comparison of the city's public life with its funerary architecture.

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